Tom 31 Nr 46 (2025): Thematic Volume: Shakespeare Shelter for Ukraine

Volume curators: Nicoleta Cinpoeş, Imke Lichterfeld

Opublikowane: 2025-12-30

Pełny numer

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Articles

• The Ukrainian Project in the Free World: The Ukrainian Shakespeare Society

  Ludmiła Mnich

  21-36

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  DOI: https://doi.org/10.18778/2083-8530.31.03

• Shakespeare Studies at the Ivan Franco National University of Lviv: Maiia Harbuziuk in memoriam

  Myroslava Tsyhanyk, Khrystyna Novosad-Lesiuk

  37-47

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  DOI: https://doi.org/10.18778/2083-8530.31.04

• The Quest for Selfhood: Shakespeare’s Sonnets Interpreted by Maria Hablevych

  Anna Sverediuk, Oksana Dzera

  49-67

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  DOI: https://doi.org/10.18778/2083-8530.31.05

• Britain, Shakespeare, and Ukraine Interview with Prof. Nataliya Torkut, Head of Український Шекспірівський центр [Ukrainian Shakespeare Centre; Ukraïns’kij Šekspìrìvs’kij centr] by Dr. Olha Kvasnytsia, journalist at the newspaper День [The Day; Denʼ]

  Olha Kvasnytsia, Nataliya Torkut

  69-90

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  DOI: https://doi.org/10.18778/2083-8530.31.06

• Virtual Museum “#Hamlet_UA: Act 1, Scene 1943” in the Context of Decolonizing Knowledge about Ukraine

  Nataliya Torkut, Svitlana Deineka, Roman Lavrentii

  91-110

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  DOI: https://doi.org/10.18778/2083-8530.31.07

• Lost (in) Translations: How Ukrainian Shakespeareana Must Be Bigger Than We Think

  Daria Moskvitina, Bohdan Korneliuk

  113-139

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  DOI: https://doi.org/10.18778/2083-8530.31.08

• Modernising the Ukrainian Language through the Power of Translation: Ihor Kostetskyi’s Shakespeare’s Sonnets

  Lada Kolomiyets

  141-162

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  DOI: https://doi.org/10.18778/2083-8530.31.09

• “Love looks not with the eyes, but with the mind”: Reading Vladyslav Yerko’s Illustrations to Shakespearein Ukrainian

  Darya Lazarenko, Yurii Cherniak

  163-177

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  DOI: https://doi.org/10.18778/2083-8530.31.10

• The Precariousness of Human Existence in William Shakespeare’s Plays: A Ukrainian Perspective

  Olha Bandrovska, Nataliya Torkut

  181-200

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  DOI: https://doi.org/10.18778/2083-8530.31.11

• Macbeth in Wartime Ukraine

  Viktoriia Marinesko, Anastasiia Brynko

  201-210

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  DOI: https://doi.org/10.18778/2083-8530.31.12

• William Shakespeare’s Hamlet: A Novelty on the Ukrainian Puppet Stage

  Roman Lavrentii, Olesia Ostapiuk

  211-230

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  DOI: https://doi.org/10.18778/2083-8530.31.13

• Depicting Collective Support on the Theatrical Stage: The Case of We Are Hamlet

  Hanna Veselovska

  233-242

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  DOI: https://doi.org/10.18778/2083-8530.31.14

• Shakespeare, Trauma, and Social Change: Inclusive Ukrainian Theatre Projects (2019–2023)

  Sofiia Rosa-Lavrentii

  243-255

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  DOI: https://doi.org/10.18778/2083-8530.31.15

• The Hamlet Syndrome (dir. Niewiera & Rosołowski, 2022) – Drawing a Portrait of the Maidan Generation with Piotr Rosołowski

  Agnieszka Rasmus

  271-284

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  DOI: https://doi.org/10.18778/2083-8530.31.17

• Romeo and Juliet: From a Performance for Teenagers to an Innovative Dramatic Performance in the Time of War

  Yuliia Shchukina, Liudmyla Vaniuha

  285-300

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  DOI: https://doi.org/10.18778/2083-8530.31.18

• Shelter from the Storm: Two Recent Shakespeare Stagings by the Ivano-Frankivsk Drama Theatre

  Oksana Fedorkiv, David Livingstone

  303-314

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  DOI: https://doi.org/10.18778/2083-8530.31.19

• War-torn King Lear: Adaptation as Catharsis

  Gabriela Cheaptanaru

  315-328

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  DOI: https://doi.org/10.18778/2083-8530.31.20

Other

• Introduction: Shakespeare Shelter

  Nicoleta Cinpoeş, Imke Lichterfeld

  7-11

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  DOI: https://doi.org/10.18778/2083-8530.31.01

• Foreword: Shakespeare in Ukraine

  Irena R. Makaryk

  13-17

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  DOI: https://doi.org/10.18778/2083-8530.31.02

• “Hereafter, in a better world than this, I shall desire more love and knowledge of you”: Kelly Hunter on Art, Healing, Trauma and Working with Ukrainian Families. A Conversation with Darya Lazarenko and Imke Lichterfeld

  Darya Lazarenko, Imke Lichterfeld

  257-270

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  DOI: https://doi.org/10.18778/2083-8530.31.16

• “Ha*l*t is a play about a play that never happened.” Notes on HA*L*T

  Imke Lichterfeld

  331-332

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  DOI: https://doi.org/10.18778/2083-8530.31.21

• L_UKR_ECE at the Craiova International Shakespeare Festival, Romania, 2022

  Sorin Cazacu, Anna Kowalcze-Pawlik

  333-335

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  DOI: https://doi.org/10.18778/2083-8530.31.22

• Exploring Object Afterlives: Ophelia. Subject Study at the 28th Gdansk International Shakespeare Festival, 2024

  Anna Kowalcze-Pawlik

  337-340

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  DOI: https://doi.org/10.18778/2083-8530.31.23

• Working Title: A Collaboration Made in York

  Philip Parr

  341-344

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  DOI: https://doi.org/10.18778/2083-8530.31.24

• Theatre Studio of IDP’s Uzhik Production of King Lear, directed by Viacheslav Yehorov, staged at the Other Place, Stratford-upon-Avon, on 14 and 15 June 2024

  Cristie Carson

  345-349

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  DOI: https://doi.org/10.18778/2083-8530.31.25

• Afterword: IF Shakespeare UA. The First International Shakespeare Festival in Ivano-Frankivsk, Ukraine, 17–23 June 2024

  Nicoleta Cinpoeş, Anna Kowalcze-Pawlik

  351-360

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  DOI: https://doi.org/10.18778/2083-8530.31.26

• In Memoriam: Mark Sokolianskyi (1939–2025)

  Nataliya Torkut, Daria Moskvitina

  361-362

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  DOI: https://doi.org/10.18778/2083-8530.31.27

• Contributors

  Nicoleta Cinpoeş, Imke Lichterfeld

  363-371

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