Multicultural Shakespeare: Translation, Appropriation and Performance

O czasopiśmie

Multicultural Shakespeare: Translation, Appropriation and Performance jest międzynarodowym półrocznikiem, w którym są publikowane artykuły naukowe i recenzje z zakresu globalnych studiów szekspirowskich. Ukazują się w nim numery tematyczne i nietematyczne. Do składania tekstów w różnych obszarach tematycznych z zakresu szekspirologii zapraszamy zarówno reaktorów tomów gościnnych, jak i indywidualnych autorów/autorki. Publikujemy także recenzje książkowe i teatralne z ww. tematyki.

Ogłoszenia

International Conference in memory of Professor Mark Sokolyansky, 24–26 September 2026 in Odesa, Ukraine

2026-10-05

On 24–26 September 2026, colleagues and friends of Professor Mark Sokolyansky gathered to celebrate his contributions to the Humanities in general and Shakespeare studies in particular, his legacy, and lasting influence that transformed the lives of generations of scholars. The conference was organised in Odesa, Ukraine, by the Academic Centre “Science and Education”, the Ukrainian Shakespeare Centre, Worldwide Club of Odesites, Odesa UNESCO City of Literature, and Ukrainian Cosmopolis.

Screenshot: https://sokolyansky.od.ua/

Przeczytaj więcej na temat International Conference in memory of Professor Mark Sokolyansky, 24–26 September 2026 in Odesa, Ukraine

Multicultural Shakespeare vol. 36 no. 50 (2027) thematic volume: call for papers

2026-08-07

Aktualny numer

Tom 31 Nr 46 (2025): Thematic Volume: Shakespeare Shelter for Ukraine

Pokaż Tom 31 Nr 46 (2025): Thematic Volume: Shakespeare Shelter for Ukraine

Volume curators: Nicoleta Cinpoeş, Imke Lichterfeld

Opublikowane: 2025-12-30

Pełny numer

PDF (Angielski)

Articles

The Ukrainian Project in the Free World: The Ukrainian Shakespeare Society

Ludmiła Mnich

21-36
DOI: https://doi.org/10.18778/2083-8530.31.03
Shakespeare Studies at the Ivan Franco National University of Lviv: Maiia Harbuziuk in memoriam

Myroslava Tsyhanyk, Khrystyna Novosad-Lesiuk

37-47
DOI: https://doi.org/10.18778/2083-8530.31.04
The Quest for Selfhood: Shakespeare’s Sonnets Interpreted by Maria Hablevych

Anna Sverediuk, Oksana Dzera

49-67
DOI: https://doi.org/10.18778/2083-8530.31.05
Britain, Shakespeare, and Ukraine Interview with Prof. Nataliya Torkut, Head of Український Шекспірівський центр [Ukrainian Shakespeare Centre; Ukraïns’kij Šekspìrìvs’kij centr] by Dr. Olha Kvasnytsia, journalist at the newspaper День [The Day; Denʼ]

Olha Kvasnytsia, Nataliya Torkut

69-90
DOI: https://doi.org/10.18778/2083-8530.31.06
Virtual Museum “#Hamlet_UA: Act 1, Scene 1943” in the Context of Decolonizing Knowledge about Ukraine

Nataliya Torkut, Svitlana Deineka, Roman Lavrentii

91-110
DOI: https://doi.org/10.18778/2083-8530.31.07
Lost (in) Translations: How Ukrainian Shakespeareana Must Be Bigger Than We Think

Daria Moskvitina, Bohdan Korneliuk

113-139
DOI: https://doi.org/10.18778/2083-8530.31.08
Modernising the Ukrainian Language through the Power of Translation: Ihor Kostetskyi’s Shakespeare’s Sonnets

Lada Kolomiyets

141-162
DOI: https://doi.org/10.18778/2083-8530.31.09
“Love looks not with the eyes, but with the mind”: Reading Vladyslav Yerko’s Illustrations to Shakespearein Ukrainian

Darya Lazarenko, Yurii Cherniak

163-177
DOI: https://doi.org/10.18778/2083-8530.31.10
The Precariousness of Human Existence in William Shakespeare’s Plays: A Ukrainian Perspective

Olha Bandrovska, Nataliya Torkut

181-200
DOI: https://doi.org/10.18778/2083-8530.31.11
Macbeth in Wartime Ukraine

Viktoriia Marinesko, Anastasiia Brynko

201-210
DOI: https://doi.org/10.18778/2083-8530.31.12
William Shakespeare’s Hamlet: A Novelty on the Ukrainian Puppet Stage

Roman Lavrentii, Olesia Ostapiuk

211-230
DOI: https://doi.org/10.18778/2083-8530.31.13
Depicting Collective Support on the Theatrical Stage: The Case of We Are Hamlet

Hanna Veselovska

233-242
DOI: https://doi.org/10.18778/2083-8530.31.14
Shakespeare, Trauma, and Social Change: Inclusive Ukrainian Theatre Projects (2019–2023)

Sofiia Rosa-Lavrentii

243-255
DOI: https://doi.org/10.18778/2083-8530.31.15
The Hamlet Syndrome (dir. Niewiera & Rosołowski, 2022) – Drawing a Portrait of the Maidan Generation with Piotr Rosołowski

Agnieszka Rasmus

271-284
DOI: https://doi.org/10.18778/2083-8530.31.17
Romeo and Juliet: From a Performance for Teenagers to an Innovative Dramatic Performance in the Time of War

Yuliia Shchukina, Liudmyla Vaniuha

285-300
DOI: https://doi.org/10.18778/2083-8530.31.18
Shelter from the Storm: Two Recent Shakespeare Stagings by the Ivano-Frankivsk Drama Theatre

Oksana Fedorkiv, David Livingstone

303-314
DOI: https://doi.org/10.18778/2083-8530.31.19
War-torn King Lear: Adaptation as Catharsis

Gabriela Cheaptanaru

315-328
DOI: https://doi.org/10.18778/2083-8530.31.20

Other

Introduction: Shakespeare Shelter

Nicoleta Cinpoeş, Imke Lichterfeld

7-11
DOI: https://doi.org/10.18778/2083-8530.31.01
Foreword: Shakespeare in Ukraine

Irena R. Makaryk

13-17
DOI: https://doi.org/10.18778/2083-8530.31.02
“Hereafter, in a better world than this, I shall desire more love and knowledge of you”: Kelly Hunter on Art, Healing, Trauma and Working with Ukrainian Families. A Conversation with Darya Lazarenko and Imke Lichterfeld

Darya Lazarenko, Imke Lichterfeld

257-270
DOI: https://doi.org/10.18778/2083-8530.31.16
“Ha*l*t is a play about a play that never happened.” Notes on HA*L*T

Imke Lichterfeld

331-332
DOI: https://doi.org/10.18778/2083-8530.31.21
L_UKR_ECE at the Craiova International Shakespeare Festival, Romania, 2022

Sorin Cazacu, Anna Kowalcze-Pawlik

333-335
DOI: https://doi.org/10.18778/2083-8530.31.22
Exploring Object Afterlives: Ophelia. Subject Study at the 28th Gdansk International Shakespeare Festival, 2024

Anna Kowalcze-Pawlik

337-340
DOI: https://doi.org/10.18778/2083-8530.31.23
Working Title: A Collaboration Made in York

Philip Parr

341-344
DOI: https://doi.org/10.18778/2083-8530.31.24
Theatre Studio of IDP’s Uzhik Production of King Lear, directed by Viacheslav Yehorov, staged at the Other Place, Stratford-upon-Avon, on 14 and 15 June 2024

Cristie Carson

345-349
DOI: https://doi.org/10.18778/2083-8530.31.25
Afterword: IF Shakespeare UA. The First International Shakespeare Festival in Ivano-Frankivsk, Ukraine, 17–23 June 2024

Nicoleta Cinpoeş, Anna Kowalcze-Pawlik

351-360
DOI: https://doi.org/10.18778/2083-8530.31.26
In Memoriam: Mark Sokolianskyi (1939–2025)

Nataliya Torkut, Daria Moskvitina

361-362
DOI: https://doi.org/10.18778/2083-8530.31.27
Contributors

Nicoleta Cinpoeş, Imke Lichterfeld

363-371
- PDF (Angielski)

Wyświetl wszystkie wydania

Zwiększenie udziału zagranicznych recenzentów w ocenie artykułów przeznaczonych do publikacji w półroczniku "Multicultural Shakespeare: Translation, Appropriation and Performance" – zadanie finansowane w ramach Umowy Nr 605/P-DUN/2019 dn. 12.06.2019 r. ze środków Ministerstwa Nauki i Szkolnictwa Wyższego przeznaczonych na działalność upowczechniającą naukę