Vol. 52 No. 1 (2019): Muzyka i muzyczność w literaturze

View Vol. 52 No. 1 (2019): Muzyka i muzyczność w literaturze

edited by Jerzy Wiśniewski

Zadanie realizowane ze środków MNiSW na podstawie umowy nr 304/WCN/2019/1 z dn. 28.08.2019 r. w ramach programu Wsparcie dla Czasopism Naukowych

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Published: 2019-03-29

Full Issue

Articles

  • The musicality of Henryk Sienkiewicz’s Swirls

    Dorota Samborska-Kukuć
    13-24
    DOI: https://doi.org/10.18778/1505-9057.52.02

  • Pieśń tryumfującej miłości by Tadeusz Miciński as an inverted version of the Orpheus myth

    Katarzyna Badowska
    25-48
    DOI: https://doi.org/10.18778/1505-9057.52.03

  • Between God and Nature. Word and music in the Leśmian’s world

    Monika Cieślik
    49-67
    DOI: https://doi.org/10.18778/1505-9057.52.04

  • The Perception of Sound Impression in the Poem Mochnacki by Jan Lechoń

    Ewelina Radion
    69-85
    DOI: https://doi.org/10.18778/1505-9057.52.05

  • The musical idiom of Osiem nokturnów (Eight Nocturnes) by Władysław Sebyła. Initial recognition

    Anna Tenczyńska
    87-98
    DOI: https://doi.org/10.18778/1505-9057.52.06

  • Możliwości partytury – możliwości poezji. Schäffer i Wirpsza

    Piotr Bogalecki
    99-116
    DOI: https://doi.org/10.18778/1505-9057.52.07

  • Różewicz’s and Herbert’s Beethoven

    Joanna Adamowska
    119-137
    DOI: https://doi.org/10.18778/1505-9057.52.08

  • Depreciation or admiration? About Zbigniew Herbert’s Violin and Harpsichord

    Jerzy Wiśniewski
    139-162
    DOI: https://doi.org/10.18778/1505-9057.52.09

  • Julia Hartwig’s “case studies”

    Julia Dynkowska
    163-177
    DOI: https://doi.org/10.18778/1505-9057.52.10

  • Stanisław Barańczak listens to Mozart

    Joanna Dembińska-Pawelec
    179-192
    DOI: https://doi.org/10.18778/1505-9057.52.11

  • When the Ear Gives the Eye – Stanisław Barańczak’s fonety

    Aleksandra Reimann-Czajkowska
    193-212
    DOI: https://doi.org/10.18778/1505-9057.52.12

  • Tkaczyszyn-Dycki’s Continuous “Song About…”

    Krystyna Pietrych
    213-229
    DOI: https://doi.org/10.18778/1505-9057.52.13

  • “White key, black, black, white…” how to solve musical puzzles from the past. Tego lata, w Zawrociu by Hanna Kowalewska

    Piotr Krajewski
    231-248
    DOI: https://doi.org/10.18778/1505-9057.52.14

  • Musical crime novel? Reflections on the margins of Jan Antoni Homa’s crime novels

    Maria Berkan-Jabłońska
    249-271
    DOI: https://doi.org/10.18778/1505-9057.52.15

  • From Baudelaire to Mallarmé. In search of the ideal of musicality

    Anna Opiela-Mrozik
    275-289
    DOI: https://doi.org/10.18778/1505-9057.52.16

  • Wagnerian novel – musical novel? (Gabriele D’Annunzio – Élémir Bourges – Paweł Huelle)

    Małgorzata Sokalska
    291-312
    DOI: https://doi.org/10.18778/1505-9057.52.17

  • Music and musicality in the prose of Vladimir Nabokov

    Anna Ginter
    313-324
    DOI: https://doi.org/10.18778/1505-9057.52.18

  • Literature reflecting on Frederic Chopin’s visits to the spa towns of western Czechia

    Libor Martinek
    325-344
    DOI: https://doi.org/10.18778/1505-9057.52.19

  • Contrapuntal text and rondo (in the poetry of Desmond Egan and Jaroslav Seifert)

    Radomil Novák
    345-358
    DOI: https://doi.org/10.18778/1505-9057.52.20

  • Die Dunklen by Ralph Isaura as an Example of Franz Liszt’s works reception in Pop Culture

    Małgorzata Gamrat
    359-377
    DOI: https://doi.org/10.18778/1505-9057.52.21

  • What is the topic of musical criticism? Questions about an argument duel in Chinese Piano by Étienne Barilier

    Elżbieta Zarych
    379-397
    DOI: https://doi.org/10.18778/1505-9057.52.22

  • Between vision and practice. The beginnings of German romantic opera from E.T.A. Hoffmann’s perspective

    Beata Kornatowska
    401-413
    DOI: https://doi.org/10.18778/1505-9057.52.23

  • Musical contexts in Kazimiera Iłłakowiczówna’s Children’s Rhymes

    Patrycja Rosół
    415-423
    DOI: https://doi.org/10.18778/1505-9057.52.24

  • The musical spectacle by Agnieszka Osiecka Let apple trees blossom as a cultural palimpsest

    Lidia Ignaczak
    425-445
    DOI: https://doi.org/10.18778/1505-9057.52.25

  • Music and acoustics in radio dramas, namely in the radio adaptations of Tadeusz Różewicz’s plays

    Barbara Zwolińska
    447-468
    DOI: https://doi.org/10.18778/1505-9057.52.26

Other

  • Od Redakcji

    Jerzy Wiśniewski
    9-10
    DOI: https://doi.org/10.18778/1505-9057.52.01