Cienka linia między czerwienią a mrokiem: antykomunistyczna turystyka filmowa
DOI:
https://doi.org/10.18778/0867-5856.31.2.01Słowa kluczowe:
muzea antykomunistyczne, mroczna turystyka (dark tourism), turystyka filmowa, czerwona turystyka, IndonezjaAbstrakt
W niniejszej pracy został zgłębiony temat Ruchu 30 Września – ruchu politycznego odpowiedzialnego za nieudaną próbę komunistycznego zamachu stanu w 1965 r. – jako bodźca do zwiedzania muzeów antykomunistycznych. W analizowanym studium przypadku wykorzystano teorię ramową oraz użytkowania i korzyści. Wyniki badania pozwoliły autorom dojść do wniosku, że negatywne fabuły i sceny filmowe mogą zostać wykorzystane jako czynniki motywujące do podejmowania czerwonej lub mrocznej turystyki filmowej. Odwołanie się do takich teorii, jak teoria ramowa czy teoria użytkowania i gratyfikacji wraz z refleksyjną analizą tematyczną, zapewniło możliwość poczynienia unikatowych i wartościowych obserwacji teoretycznych, które mogły zostać pominięte w innych opracowaniach.
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