Theatre Reviews

Authors

  • Eleni Pilla
  • Xenia Georgopoulou National and Kapodistrian University of Athens, Greece

DOI:

https://doi.org/10.18778/2083-8530.19.10

Author Biographies

  • Eleni Pilla

    Eleni Pilla is an independent scholar. She completed her PhD in Shakespeare on Screen at Royal Holloway (University of London) in 2006. She has published articles on theatrical and screen adaptations of Shakespeare, space in literature and film and the translation of Shakespeare’s Sonnets into Greek.

  • Xenia Georgopoulou, National and Kapodistrian University of Athens, Greece

    Xenia Georgopoulou is Assistant Professor at the Department of Theatre Studies of the University of Athens, Greece. She is author of Issues of Gender in Shakespearean and Renaissance Drama [Ζητήματα φύλου στο θέατρο του Σαίξπηρ και της Αναγέννησης] (2010) and The Body As Text in Shakespeare’s Plays: The Fashioning of the Sexes (2011). Her work deals with Shakespearean and Renaissance drama, and her particular interests include issues of gender and otherness, Shakespearean adaptations and Shakespearean references in modern popular culture.

References

Kantorowicz, Ernst H. The King’s Two Bodies: A Study in Medieval Political Theology. Princeton: Princeton UP, 1957.

Shakespeare, William. Richard III. The Riverside Shakespeare. 2nd ed. Boston: Houghton Mifflin, 1997.

Aivaliotou Irene [Ειρήνη Αϊβαλιώτου]. “Ένας ξανθός και γαλανομάτης Οθέλλος διά χειρός Χάρη Φραγκούλη στο Θέατρο Τέχνης.” 11 February 2019. Cat is art. 29 April 2019. <https://www.catisart.gr/enas-xanthos-kai-galanomatis-othellos-diacheiros-chari-fragkoyli-sto-theatro-technis/>

“Audience reviews. Othello.” [“Οι κριτικές του κοινού. Οθέλλος.”] (various dates) Athinorama [Αθηνόραμα]. 1 May 2019. <https://www.athinorama.gr/theatre/performanceratings.aspx?id=10063834&cp=1>

Biedermann, Hans. The Wordsworth Dictionary of Symbolism. Trans. James Hulbert. Ware: Wordswoth, 1996.

Danson, Lawrence. Shakespeare’s Dramatic Genres. Oxford Shakespeare Topics. Oxford: Oxford UP, 2000.

Mylonas, Giorgos [Γιώργος Μυλωνάς]. “Χάρης Φραγκούλης ‘Ο Οθέλλος είναι ένας από εμας’”. 26 February 2019. Huffington Post.gr. 1 May 2019. <https://www.huffingtonpost.gr/entry/chares-fraykoeles-o-othellos-einai-enas-apo-emas_gr_5c751ef6e4b0bf1662031327>

Pouleres, Stergios [Στέργιος Πουλερές]. “Οθέλλος στο Θέατρο Τέχνης: Μια παράσταση που ‘καταργεί’ τον Σαίξπηρ”. 1 March 2019. Eleftheros Typos. 29 April 2019. <https://www.eleftherostypos.gr/politismos/376429-othellos-sto-theatro-technismia-parastasi-pou-katargei-ton-shakespeare/>

Shakespeare, William. The Complete Works. Compact edn. Ed. Stanley Wells et al. Oxford: Clarendon, 1997.

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Published

2019-06-30

How to Cite

Pilla, Eleni, and Xenia Georgopoulou. 2019. “Theatre Reviews”. Multicultural Shakespeare: Translation, Appropriation and Performance 19 (34): 183-92. https://doi.org/10.18778/2083-8530.19.10.

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