Vol. 28 No. 43 (2023): Crossing Borders with Shakespeare since 1945: Central and Eastern European Roots and Routes

okładka

Guest Editors: Šárka Havlíčková Kysová, Ivona Mišterova

Published: 2023-12-30

Full Issue

Articles

  • Introduction: East-Central and Central-East Europe as an Imagined Space for Shakespeare

    Šárka Havlíčková Kysová, Ivona Mišterová
    15-22
    DOI: https://doi.org/10.18778/2083-8530.28.01

  • Our Common Home: Eastern Europe / Central Europe / Post-Communist Europe as Signifiers of Cultural-Political Geographies and Identities

    Kirilka Stavreva, Boika Sokolova, Natália Pikli, Jana Wild
    23-44
    DOI: https://doi.org/10.18778/2083-8530.28.02

  • Politics, Shakespeare, East-Central Europe: Theatrical Border Crossings

    Zsolt Almási, Krystyna Kujawińska Courtney, Mădălina Nicolaescu, Klára Škrobánková, Ema Vyroubalova, Oana-Alis Zaharia
    45-68
    DOI: https://doi.org/10.18778/2083-8530.28.03

  • Popular and Populist Shakespearean Transcreations in Central and Eastern Europe

    Nicoleta Cinpoeş, Kornélia Deres, Jacek Fabiszak, Kinga Földváry, Veronika Schandl
    69-88
    DOI: https://doi.org/10.18778/2083-8530.28.04

  • Monsters and Marvels: Shakespeare Across Opera, Ballet, Dance, Puppetry, and Music in Central and Eastern Europe—and Beyond

    Anna Cetera-Włodarczyk, Šárka Havlíčková Kysová, Anna Kowalcze-Pawlik, Ivona Mišterová, Gabriella Reuss
    89-108
    DOI: https://doi.org/10.18778/2083-8530.28.05

  • “You have served me well:" The Shakespeare Empire in Central Europe

    Pavel Drábek
    109-140
    DOI: https://doi.org/10.18778/2083-8530.28.06

  • "Henry V": A Report on the Condition of the World

    Marta Gibińska
    141-152
    DOI: https://doi.org/10.18778/2083-8530.28.07

  • “…noxiousness of my work:” Miroslav Macháček’s 1971 "Henry V" at the Normalized National Theatre

    Martin Pšenička
    153-176
    DOI: https://doi.org/10.18778/2083-8530.28.08

  • Dramaturgy of "Hamlet"(s) in Czech Theatre between 2000 and 2023

    David Drozd
    177-192
    DOI: https://doi.org/10.18778/2083-8530.28.09

  • Framing Polish-Jewish Relations Through Shakespeare in Post-war and Contemporary Polish Theatre

    Tomasz Kowalski
    193-207
    DOI: https://doi.org/10.18778/2083-8530.28.10

  • No Calm After the Storm. A Decade of "The Tempest" in Polish Theatres (2012–2021)

    Agnieszka Romanowska
    209-225
    DOI: https://doi.org/10.18778/2083-8530.28.11

  • Passion and Politics in Diego de Brea and Jakub Čermák’s "Edward II": Marlowe’s Controversial History on Czech Stages

    Ivona Mišterová, Filip Krajník
    227-243
    DOI: https://doi.org/10.18778/2083-8530.28.12

  • “This is one Lucianus, nephew to the king!:” Political Dynamics of Four Hungarian Translations of "Hamlet"

    Zsolt Almási
    245-263
    DOI: https://doi.org/10.18778/2083-8530.28.13

  • Other "Hamlet" in Puppet Theatre: A Contribution to Central European Theatre Diversity of the 1980s-1990s

    Uroš Trefalt
    265-275
    DOI: https://doi.org/10.18778/2083-8530.28.14

Other

  • Contributors

    Šárka Havlíčková Kysová, Ivona Mišterová
    7-14
    DOI: https://doi.org/10.18778/2083-8530.28.00

  • Remembering the Past, Creating the Present Address given at the Brno Theatralia Conference, 7 June 2023

    Boika Sokolova
    277-280
    DOI: https://doi.org/10.18778/2083-8530.28.15

  • Book Reviews

    Monica Matei-Chesnoiu, Coen Heijes
    281-291
    DOI: https://doi.org/10.18778/2083-8530.28.16

  • Theatre Reviews

    Cynthia J. Cyrus
    293-300
    DOI: https://doi.org/10.18778/2083-8530.28.17