Book Reviews

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DOI:

https://doi.org/10.18778/2083-8530.28.16
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Biogramy autorów

Monica Matei-Chesnoiu - Ovidius University of Constanta, Romania

Ph.D., DLitt, is Professor Emerita of Ovidius University of Constanta (Romania). She is the author of Geoparsing Early Modern English Drama (New York: Palgrave Macmillan, 2015), Re-imagining Western European Geography in English Renaissance Drama (Basingstoke: Palgrave Macmillan, 2012), Early Modern Drama and the Eastern European Elsewhere: Representations of Liminal Locality in Shakespeare and his Contemporaries (Madison, NJ: Fairleigh Dickinson University Press; Associated University Presses, 2009), and Shakespeare in the Romanian Cultural Memory (Madison, NJ: Fairleigh Dickinson University Press, 2006). Her main interests incorporate geocriticism and spatial literary studies, including representations of space, place, and geography in Shakespeare and his contemporaries.

Coen Heijes - University of Groningen, the Netherlands

teaches Shakespeare, Presentism and Performance at the University of Groningen, the Netherlands. He wrote/edited/participated (in) books on the abolishment of slavery, multicultural society, blackface and performance, diversity and leadership, cross-cultural communication and performing early modern drama today and published in a variety of journals, including Cahiers Élisabéthains, Human Relations, Journal of Adaptation in Film & Performance, Policing, Sederi Yearbook, Shakespeare, Shakespeare Bulletin, Shakespeare Quarterly, Sustainability, TheConversation.com and Theatre Journal. He is a member of the Board of Directors of the British Shakespeare Association, the editorial board of Multicultural Shakespeare: Translation, Appropriation and Performance and the advisory board on Shakespeare and Social Justice at Bloomsbury. He has taught in the Netherlands, the UK, Curaçao, Germany, Saint Martin and Latvia. He is currently working on Shakespeare and significance, on Shylock and religion, on adaptations of Macbeth and on Shakespeare pedagogy.

Bibliografia

Bloom, Harold. Shakespeare: The Invention of the Human. New York: Riverhead Books, 1998.
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Bergeron, David M. “The Mythical Structure of All’s Well That Ends Well.” Texas Studies in Language and Literature 14 (1973): 559-568.
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Cavalchini, Mariella. “Giletta–Helena: un studio comparativo.” Italica 40 (1963): 320-324.
Google Scholar DOI: https://doi.org/10.2307/476820

Fowler, Alistair. Literary Names: Personal Names in English Literature. Oxford: Oxford University Press, 2012.
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Hunter, Robert Grams. Shakespeare and the Comedy of Forgiveness. New York: Columbia University Press, 1965.
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Maguire, Laurie. Shakespeare’s Names. Oxford: Oxford University Press, 1997.
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Melchiori, Giorgio. Shakespeare: genesi e struttura delle opere. Roma: Laterza, 1994.
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Petronio, Giuseppe. I miei Decameron. Roma: Editori Riuniti, 1990.
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Price, Joseph G. The Unfortunate Comedy: A Study of All’s Well That Ends Well and Its Critics. Liverpool and Toronto: Liverpool University Press and University of Toronto Press, 1968.
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Rossiter, A. P. Angel with Horns: Fifteen Lectures on Shakespeare. Ed. Graham Storey. London: Longman, 1970.
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Shakespeare, William. Opere complete [Complete Works]. Ed. Leon Leviţchi. 11 vols. Bucureşti: Univers, 1987-1995.
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Shakespeare, William. Opere [Works]. Ed. George Volceanov. 16 vols. Bucureşti: Editura Tracus Arte, 2016-2019.
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Tanner, Tony. Prefaces to Shakespeare. With a Foreword by Stephen Heath. Cambridge, Mass.: Belknap Press of Harvard University Press, 2010.
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Tillyard, E. M. W. Shakespeare’s Problem Plays. Harmondsworth: Penguin, 1965.
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Opublikowane

2023-12-30

Jak cytować

Matei-Chesnoiu, M., & Heijes, C. (2023). Book Reviews. Multicultural Shakespeare: Translation, Appropriation and Performance, 28(43), 281–291. https://doi.org/10.18778/2083-8530.28.16

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