Vol. 15 No. 1 (2012): Muzyka i muzyczność w literaturze. Od Młodej Polski do czasów najnowszych (1)

okladka
Published: 2012-01-01

Articles

  • Mieczyslaw Karlowicz’s songs composed to Kazimierz Przerwa-Tetmajer’s poems in the light of the ideas of the musicality of the Polish language according to 19th century music theoreticians

    Joanna Dzidowska
    11-33
    DOI: https://doi.org/10.18778/1505-9057.15.02

  • Autumn rain, autumn tears – between music and poetry (Verlaine and Staff)

    Małgorzata Sokołowicz
    34-44
    DOI: https://doi.org/10.18778/1505-9057.15.03

  • Music in Tadeusz Miciński’s drama

    Iwona Nowak
    45-57
    DOI: https://doi.org/10.18778/1505-9057.15.04

  • Music in Tadeusz Micinski’s drama on the example of Polish Thermopylae. The Mystery of the Life and Death of Prince Josef Poniatowski

    Martyna Jastrząbek
    58-76
    DOI: https://doi.org/10.18778/1505-9057.15.05

  • Music components of Bolesław Leśmian’s dramatic pantomime The Mad Violinist

    Renata Suchowiejko
    77-91
    DOI: https://doi.org/10.18778/1505-9057.15.06

  • Musical modernism. A study on Tadeusz Jaroszyński’s Diary

    Izabela Koczkodaj
    92-99
    DOI: https://doi.org/10.18778/1505-9057.15.07

  • Witkacy’s amusia

    Tomasz Bocheński
    100-104
    DOI: https://doi.org/10.18778/1505-9057.15.08

  • Popular music and lyric poetry. A hit single in the poetry between the wars

    Piotr Łuszczykiewicz
    105-113
    DOI: https://doi.org/10.18778/1505-9057.15.09

  • 'Broken flats' — about musical inspiration in Bruno Jasieński's poetry

    Krzysztof Jaworski
    114-120
    DOI: https://doi.org/10.18778/1505-9057.15.10

  • 'New musicality'? Avant-Garde sound-texture of Polish poetry and its contemporary continuations

    Beata Śniecikowska
    121-140
    DOI: https://doi.org/10.18778/1505-9057.15.11

  • Brahms and Rachmaninoff in the eyes of Iwaszkiewicz

    Anna Tenczyńska
    141-150
    DOI: https://doi.org/10.18778/1505-9057.15.12

  • Music and tuberculosis

    Monika Ładoń
    151-162
    DOI: https://doi.org/10.18778/1505-9057.15.13

  • Franz Liszt and his music in the view of Jarosław Iwaszkiewicz and Paweł Kubisz

    Małgorzata Gamrat
    163-179
    DOI: https://doi.org/10.18778/1505-9057.15.14

  • Connections between literature and music in literary works of writers from Cieszyn County: Henryk Jasiczek, Adolf Dostal and Jan Pyszka

    Libor Martinek
    180-199
    DOI: https://doi.org/10.18778/1505-9057.15.15

  • Music as the liberation from language? Philosophical aspects of musical inspiration in Miron Białoszewski's poetry

    Agata Bochyńska
    200-211
    DOI: https://doi.org/10.18778/1505-9057.15.16

  • Tadeusz Nowak: by a Christmas carol (imagination)

    Anita Jarzyna
    212-229
    DOI: https://doi.org/10.18778/1505-9057.15.17

  • Danse moriendi. Musical and thanatological aspects in the late poetry of Jarosław Marek Rymkiewicz

    Joanna Dembińska-Pawelec
    230-245
    DOI: https://doi.org/10.18778/1505-9057.15.18

  • Dynamics as an element of music in Stanisław Barańczak's poetry

    Katarzyna Cudzich-Budniak
    246-256
    DOI: https://doi.org/10.18778/1505-9057.15.19

  • Rescued music and music which rescues. About Wiesław Myśliwski's Treatise on Shelling Beans

    Agnieszka Czyżak
    257-266
    DOI: https://doi.org/10.18778/1505-9057.15.20

  • Concrete poetry and music

    Grażyna Pietruszewska-Kobiela
    267-282
    DOI: https://doi.org/10.18778/1505-9057.15.21

  • Pearl Gourami is conducting Beethoven’s music. Oneiric panfictionalism in Adam Wiedemann’s Bedtime scenes

    Natalia Lemann
    283-293
    DOI: https://doi.org/10.18778/1505-9057.15.22

Other

  • Poszerzanie pola słyszenia

    Magdalena Lachman, Jerzy Wiśniewski
    5-7
    DOI: https://doi.org/10.18778/1505-9057.15.01