Vol. 20 No. 2 (2013): Dziennikarstwo

View Vol. 20 No. 2 (2013): Dziennikarstwo
Published: 2013-06-30

Articles

  • Juxtaposition as a tool of journalistic persuasion

    Rafał Siekiera
    7-22
    DOI: https://doi.org/10.18778/1505-9057.20.01

  • Styl muzycznego dyskursu medialnego

    Lilija R. Duskajewa
    23-31
    DOI: https://doi.org/10.18778/1505-9057.20.02

  • Remarks on the communicativeness of journalist’s texts

    Katarzyna Araczewska
    33-47
    DOI: https://doi.org/10.18778/1505-9057.20.03

  • Izabela Moszczeńska’s publicistic works

    Izabela Pogracka-Michalak
    49-55
    DOI: https://doi.org/10.18778/1505-9057.20.04

  • The Symphonic Orchestra in Lodz during the Great War from the point of view of Felix Halpern

    Aneta Stawiszyńska
    57-71
    DOI: https://doi.org/10.18778/1505-9057.20.05

  • In upholding the principles of journalism of the Interwar period

    Miłosz Hrycek
    73-83
    DOI: https://doi.org/10.18778/1505-9057.20.06

  • “Wezwanie” – an underground literary magazine (1982–1989)

    Renata Nolbrzak
    85-94
    DOI: https://doi.org/10.18778/1505-9057.20.07

  • Debate as a press genre

    Magdalena Hodak
    95-110
    DOI: https://doi.org/10.18778/1505-9057.20.08

  • Ortogenre, paragenre and metagenre categories

    Zbigniew Bednarek
    111-123
    DOI: https://doi.org/10.18778/1505-9057.20.09

  • The use of irony in the columns of Jerzy Urban (“Nie” weekly magazine, 2004)

    Katarzyna Paroń
    125-138
    DOI: https://doi.org/10.18778/1505-9057.20.10

  • Journalistic methods of influence on the viewer in television news programmes

    Agnieszka Rutkowska
    139-155
    DOI: https://doi.org/10.18778/1505-9057.20.11

  • Public mission in polish television

    Tomasz Lasota
    157-160
    DOI: https://doi.org/10.18778/1505-9057.20.12

  • In search of television news

    Remigiusz Mielczarek
    161-165
    DOI: https://doi.org/10.18778/1505-9057.20.13

  • Specificity of work of reporter in television on example TVN24

    Piotr Borowski
    167-170
    DOI: https://doi.org/10.18778/1505-9057.20.14

  • On authorship of audio texts in radio theatre

    Aleksandra Pawlik
    171-184
    DOI: https://doi.org/10.18778/1505-9057.20.15

  • About the creation of the main character in the satirical radio drama

    Anna Maćkowiak
    185-200
    DOI: https://doi.org/10.18778/1505-9057.20.16

  • Genre traits of the morning show based on the example of “Wstawaj, szkoda dnia” on radio RMF FM

    Agnieszka Garcarek-Sikorska
    201-210
    DOI: https://doi.org/10.18778/1505-9057.20.17

  • The entertainment offer of radio stations on the Internet based on the example of Radio Eska

    Paulina Czarnek
    211-221
    DOI: https://doi.org/10.18778/1505-9057.20.18

  • Between truth and fiction – feature and radio documentary

    Natalia Kowalska
    223-232

  • Non habemus papam – the abdication of Benedict XVI as depicted in Polish realisations of the big picture report (genealogical contexts)

    Monika Worsowicz
    233-254
    DOI: https://doi.org/10.18778/1505-9057.20.20

  • Internet talk-show – genre variety or a new one? The characteristics of „20 m2 Łukasza”

    Agnieszka Barczyk
    255-270
    DOI: https://doi.org/10.18778/1505-9057.20.21

  • Microblog – a variety of blog or a separate genre?

    Przemysław Szews
    271-289
    DOI: https://doi.org/10.18778/1505-9057.20.22

  • Tradition and culture of India in the movie documentary “Calcuta’s Moviegoers” of Andrzej Fidyk

    Bogumiła Fiołek-Lubczyńska
    291-300
    DOI: https://doi.org/10.18778/1505-9057.20.23

  • Between the journalist and the scientist. The role and the participation of the spokesman of a university college in communicating media with the experts

    Tomasz Boruszczak
    301-303
    DOI: https://doi.org/10.18778/1505-9057.20.24