A Review of Natalie Crohn Schmitt, Performing Commedia dell’Arte, 1570–1630 (Routledge, 2019)

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DOI:

https://doi.org/10.18778/2083-2931.11.29

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Author Biography

  • Piotr Morawski, University of Warsaw

    Piotr Morawski is Assistant Professor in the Section for Theatre and Performance in the Institute of Polish Culture at the University of Warsaw, cultural researcher and cultural historian. He works mainly on the history of cultural performances. He also writes about contemporary theatre and its cultural and social circumstances. He is a member of the editorial board of the Dialog magazine. He is the author, among others, of the book Oświecenie. Przedstawienia [Enlightenment. Performances] (2017).

References

Balme, Christopher B. “Conclusion: Commedia dell’Arte and Cultural Heritage.” Commedia dell’Arte in Context, edited by Christopher B. Balme, Piermario Vescovo and Daniele Vianello, Cambridge UP, 2018, pp. 311–19. https://doi.org/10.1017/9781139236331 DOI: https://doi.org/10.1017/9781139236331.027

Carruthers, Mary. The Book of Memory. A Study of Memory in Medieval Culture. Cambridge UP, 2008. https://doi.org/10.1017/CBO9781107051126 DOI: https://doi.org/10.1017/CBO9781107051126

Heck, Thomas F. Review of Befriending the Commedia dell’Arte of Flaminio Scala: The Comic Scenarios, by Natalie Crohn Schmitt. Theatre Journal, vol. 67, no. 4, December 2015, pp. 763–64. https://doi.org/10.1353/tj.2015.0121 DOI: https://doi.org/10.1353/tj.2015.0121

Kerr, Rosalind. Review of Befriending the Commedia dell’Arte of Flaminio Scala: The Comic Scenarios, by Natalie Crohn Schmitt. Renaissance Quarterly, vol. 68, no. 4, Winter 2015, pp. 1502–04. https://doi.org/10.1086/685235 DOI: https://doi.org/10.1086/685235

Ong, Walter J. Orality and Literacy. The Technologizing of the Word. Methuen, 1982. https://doi.org/10.4324/9780203328064 DOI: https://doi.org/10.4324/9780203328064

Orgel, Stephen. “Theaters and Audiences.” European Theatre Performance Practice, 1580–1750, edited by Robert Henke and M. A. Katritzky, Ashgate, 2014, pp. 437–72.

Schmitt, Natalie Crohn. Befriending the Commedia dell’Arte of Flaminio Scala: The Comic Scenarios. U of Toronto P, 2014. https://doi.org/10.3138/9781442619173 DOI: https://doi.org/10.3138/9781442619173

Schmitt, Natalie Crohn. Performing Commedia dell’Arte, 1570–1630. Routledge, 2019. https://doi.org/10.4324/9780429023040 DOI: https://doi.org/10.4324/9780429023040

Soleo-Shanks, Jenna. Review of Befriending the Commedia dell’Arte of Flaminio Scala: The Comic Scenarios, by Natalie Crohn Schmitt. Comparative Drama, vol. 49, no. 2, Summer 2015, pp. 240–42. https://doi.org/10.1353/cdr.2015.0013 DOI: https://doi.org/10.1353/cdr.2015.0013

Wilbourne, Emily. Seventeenth-Century Opera and the Sound of the Commedia dell’Arte. Chicago UP, 2016. https://doi.org/10.7208/chicago/9780226401607.001.0001 DOI: https://doi.org/10.7208/chicago/9780226401607.001.0001

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Published

2021-11-22

How to Cite

Morawski, Piotr. 2021. “A Review of Natalie Crohn Schmitt, Performing Commedia dell’Arte, 1570–1630 (Routledge, 2019)”. Text Matters: A Journal of Literature, Theory and Culture, no. 11 (November): 432-36. https://doi.org/10.18778/2083-2931.11.29.