No. 7 (2021)

View No. 7 (2021)
Published: 2021-06-30

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  • Wstęp

    Aneta Pawłowska, Adam Drozdowski, Irmina Gadowska
    5-6

  • Performatywność mody a tworzenie nowej tożsamości jednostki

    Izabela Rosenfeld-Kowalska
    223-235
    DOI: https://doi.org/10.18778/2084-851X.11.12

  • Tkanina – cenne dziedzictwo, przedmiot współczesnych badań

    Monika Nowakowska
    237-240
    DOI: https://doi.org/10.18778/2084-851X.11.13

  • Janusz Paweł Tryzno (1948–2021). Odejście prowizoryczne. Wspomnienie o człowieku na papierowym zamku

    Adam Klimczak
    243-252
    DOI: https://doi.org/10.18778/2084-851X.11.14

Articles

  • Between Art and Industry – Charles Frederick Worth's attitude towards the changes in Fashion in the second half of the 19th century

    Piotr Szaradowski
    9-23
    DOI: https://doi.org/10.18778/2084-851X.11.01

  • Women’s ready-made and made-to-measure fashion – basic differences and similarities in design, production and trade in the 2nd half of the 19th century and the beginning of the 20th century

    Przemysław Krystian Faryś
    25-45
    DOI: https://doi.org/10.18778/2084-851X.11.02

  • Designs for the chasuble decorations by Stanisław Wyspiański and Józef Mehoffer

    Anna Sieradzka
    47-57
    DOI: https://doi.org/10.18778/2084-851X.11.03

  • Dress or costume? The role of fashion in painting and life of Olga Boznańska

    Anna Straszewska
    59-90
    DOI: https://doi.org/10.18778/2084-851X.11.04

  • “To be well laced up“. A corset in women's fashion, i.e. a reinterpretation of the past

    Łukasz Grzejszczak
    91-106
    DOI: https://doi.org/10.18778/2084-851X.11.05

  • Franciszek Jaworski (1873–1914) – the first historiographer of Polish jewelery

    Ewa Letkiewicz
    107-118
    DOI: https://doi.org/10.18778/2084-851X.11.06

  • Striving for modernity: The jewellery making in The Second Polish Republic (1918–1939)

    Agata Lipczik
    119-133
    DOI: https://doi.org/10.18778/2084-851X.11.07

  • Hollywood film industry’s influence on women’s image in the 1930s

    Adam Drozdowski
    135-155
    DOI: https://doi.org/10.18778/2084-851X.11.08

  • How does a Chinese woman look? Sartorial constructions of “chineseness”

    Joanna Wasilewska
    157-171
    DOI: https://doi.org/10.18778/2084-851X.11.09

  • How can Georg Simmel’s Philosophy of Fashion be useful to an art historian?

    Wioletta Kazimierska-Jerzyk
    173-200
    DOI: https://doi.org/10.18778/2084-851X.11.10

  • Posthumanism as a concept shaping the fashion shows designed by Iris van Herpen? Considerations on the margins of the current discourse about fashion

    Irma Kozina
    201-220
    DOI: https://doi.org/10.18778/2084-851X.11.11