Vol. 16 No. 2 (2012): Muzyka i muzyczność w literaturze. Od Młodej Polski do czasów najnowszych (2)

View Vol. 16 No. 2 (2012): Muzyka i muzyczność w literaturze. Od Młodej Polski do czasów najnowszych (2)
Published: 2012-06-30

Articles

  • Staccato or asyndeton? A few remarks about ‘musical’ prose (notes on Joyce’s Sirens)

    Joanna Barska
    7-33
    DOI: https://doi.org/10.18778/1505-9057.16.01

  • Jonathan Littell’s suite – on the structure of The Kindly Ones

    Agnieszka Izdebska
    34-42
    DOI: https://doi.org/10.18778/1505-9057.16.02

  • Music like an ocean. Alessandro Baricco’s Novecento in a comparative context

    Elżbieta Zarych
    43-53
    DOI: https://doi.org/10.18778/1505-9057.16.03

  • Jazz infiltrations in Czech literature in the 1920s of the 20th century

    Radomil Novak
    54-67
    DOI: https://doi.org/10.18778/1505-9057.16.04

  • Music as a topic in contemporary Lithuanian literature

    Audinga Peluritytė-Tikuišienė
    68-76
    DOI: https://doi.org/10.18778/1505-9057.16.05

  • Opera according to Stefan Themerson (St. Francis & The Wolf of Gubbio or Brother Francis’ Lamb Chops)

    Andrzej Hejmej
    77-91
    DOI: https://doi.org/10.18778/1505-9057.16.06

  • A song about a song according to Jerzy Wasowski and Jeremi Przybora

    Jerzy Wiśniewski
    92-109
    DOI: https://doi.org/10.18778/1505-9057.16.07

  • Jacek Kaczmarski’s songs in the aspect of ‘melosemia’

    Kamil Dźwinel
    110-120
    DOI: https://doi.org/10.18778/1505-9057.16.08

  • Ballad and balladic characteristics in Jacek Kaczmarski’s poetry set to music

    Małgorzata Lisecka
    121-126
    DOI: https://doi.org/10.18778/1505-9057.16.09

  • The song lyric as a literary work – the literary work as a song lyric – basic examples

    Paweł Sobczak
    127-139
    DOI: https://doi.org/10.18778/1505-9057.16.10

  • Memories sung in words — singers' autobiographies

    Beata Kornatowska
    140-154
    DOI: https://doi.org/10.18778/1505-9057.16.11

  • ‘Charming the the audience’. Artur Rubinstein's music and literary strategies

    Ewa Tierling-Śledź
    155-163
    DOI: https://doi.org/10.18778/1505-9057.16.12

  • The Love of Life. The art of telling lies and stories, and how to create one’s image in Artur Rubinstein’s diaries

    Marta Cuber
    164-172
    DOI: https://doi.org/10.18778/1505-9057.16.13

  • The writer about the music — the composer about literature. The Kisielewski’s look on the connections between music and word

    Kamila Hawryszków
    173-181
    DOI: https://doi.org/10.18778/1505-9057.16.14

  • Music in Stefan Kiesielewski’s Diaries

    Urszula Ciołkiewicz-Latek
    182-193
    DOI: https://doi.org/10.18778/1505-9057.16.15

  • Women and music in autobiographical fiction

    Tatiana Czerska
    194-204
    DOI: https://doi.org/10.18778/1505-9057.16.16