METHAMORPHOSES OR THE GOLDEN ASS BY APULEIUS AS THE STARTING POINT FOR PERFORMANCE THE METHAMORPHOSES BY OPT “GARDZIENICE”

Authors

  • Elżbieta Kołdrzak Uniwersytet Łódzki, Instytut Kultury Współczesnej, Katedra Teorii Dramatu i Teatru, ul. Pomorska 171/173, 90-236 Łódź image/svg+xml

DOI:

https://doi.org/10.18778/1733-0319.18.10

Keywords:

Greek Mythology, Metamorphosis, Apuleius, Polish Contemporary Theatre, Gardzienice Group

Abstract

“Metamorphoses or The Golden As”s by Apuleius as a text involved with the theme of initiation and acquainting with mystery, in itself is a complex and multi-plotted research material. Similarly, the spectacle realised by the Theatrical Practices Centre “Gardzienice”, led by Włodzimierz Staniewski. The main issue discussed in this article is the concept of translating the narration of Apuleius’ novel into a theatrical text and defining it based on the cultural and existential meaning composing the meaning of “Gardzinice”’s spectacle for the dynamics and the directions of modern cultural discourse that from twenty years ago, as well as today’s. Metamorphosis as a study of pragmatic metaphysics, the confrontation of pride of modern reason with the European culture’s “archive,” in its expression not sentimental but full of irony towards the progressing deconstruction of the spiritual-symbolic sphere in contemporary narrations, are a still valid spectacle, becoming even more actual.

Author Biography

Elżbieta Kołdrzak, Uniwersytet Łódzki, Instytut Kultury Współczesnej, Katedra Teorii Dramatu i Teatru, ul. Pomorska 171/173, 90-236 Łódź

Dr Elżbieta Koldrzak – Assistant Professor. In years 1996-98 was a grant holder of the Government of India at Kerala Kalamandalam (research project on Kudijattam and Kathakali). In the year 2000 got her doctorate (“Theatrical Reality in the Aesthetics and Dramaturgy of classical Indian theatre”). In 2014 published post-doctoral thesis on the subject: “Śakuntala [Abhijńanaśakuntalam], an ancient Indian drama by Kalidasa. Research contexts and theatrical realizations”. She provide research in Indian theatrical tradition, Theory of the Theatre (“The Natyaśastra” by Bharata-muni), Contemporary theatre oriented into Indian theatre tradition. She is a founder member of Indian Society for Theatre Research, a member of Polish Society for Theatre Research, The Society for India Philosophy and Religion.

Published

2015-01-01

How to Cite

Kołdrzak, E. (2015). METHAMORPHOSES OR THE GOLDEN ASS BY APULEIUS AS THE STARTING POINT FOR PERFORMANCE THE METHAMORPHOSES BY OPT “GARDZIENICE”. Collectanea Philologica, 18, 111–122. https://doi.org/10.18778/1733-0319.18.10

Issue

Section

Articles