Book Reviews

Silvana Carotenuto is Associate Professor of English Literature at the University of Naples “L’Orientale”, Italy, where she directs the Centre for Postcolonial and Gender Studies (CPGS-Unior). Her fields of research are Decostruction, écriture feminine and postcolonial studies. Her latest publications include: S. Carotenuto, F. M. Gabrielli, R. Jambreši Kirin (eds.), Disrupting Historicity/Reclaiming the Future (Naples, Unior, 2019); “Writing Time: The (Late) Oeuvres of Jacques Derrida and William Kentridge”, English Academy Review, 35.1 (2018); “The Return of the ‘Great Stranger’: Interrogation, Writing and Condivision of Literature”, in Ritorni Critici (Roma, Meltemi, 2017); “‘Go Wonder’: Plasticity, Dissemination and (the Mirage of) Revolution” in B. Bhandar and J. Goldeberg-Hiller (eds.), Plastic Materialities: Politics, Legality, and Metamorphosis in the Work of Catherine Malabou (Duke University Press, 2015); “Passages d’innocence: la différence photographique dans l’oeuvre de Jacques Derrida”, Etudes Francaises, Toucher des yeux. Nouvelles poétiques de l’ekphrasis, 51.2 (2015). She directs the research on “Mediterranean Performativity”, which produced the webstite “Matriarchive of the Mediterranean” http://www.matriarchiviomediterraneo.org

Maosheng Hu, Ph.D. (2013, Beijing Normal University), teaches at Zhejiang Gongshang University, China. His research interest is mainly Shakespeare.