Vol. 14 No. 29 (2016)

View Vol. 14 No. 29 (2016)

Editors: Kawachi Yoshiko and Krystyna Kujawinska Courtney

Published: 2016-12-30

Articles

  • Introduction: Shakespeare in Modern Japan

    Yoshiko Kawachi
    7-12
    DOI: https://doi.org/10.1515/mstap-2016-0012

  • Some Japanese Shakespeare Productions in 2014-15

    Shoichiro Kawai
    13-28
    DOI: https://doi.org/10.1515/mstap-2016-0013

  • Finding a Style for Presenting Shakespeare on the Japanese Stage

    Ryuta Minami
    29-42
    DOI: https://doi.org/10.1515/mstap-2016-0014

  • “I saw Othello’s visage in his mind”, or “White Mask, Black Handkerchif”: Satoshi Miyagi’s Mugen-Noh Othello and Translation Theory

    Ted Motohashi
    43-50
    DOI: https://doi.org/10.1515/mstap-2016-0015

  • “Thou art translated”: Remapping Hideki Noda and Satoshi Miyagi’s A Midsummer Night’s Dream in Post-March 11 Japan

    Mika Eglinton
    51-72
    DOI: https://doi.org/10.1515/mstap-2016-0016

  • Performing Shakespeare in Contemporary Japan: The Yamanote Jijosha’s The Tempest

    Emi Hamana
    73-85
    DOI: https://doi.org/10.1515/mstap-2016-0017

  • Noh Creation of Shakespeare

    Kuniyodhi Munakata
    87-106
    DOI: https://doi.org/10.1515/mstap-2016-0018

  • Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga

    Yukari Yoshihara
    107-122
    DOI: https://doi.org/10.1515/mstap-2016-0019

  • Hamlet and Japanese Men of Letters

    Yoshiko Kawachi
    123-135
    DOI: https://doi.org/10.1515/mstap-2016-0020

Other

  • Book Reviews

    Hisao Oshima, Tomasz Fisiak
    137-141
    DOI: https://doi.org/10.1515/mstap-2016-0021

  • Theatre Reviews

    Xenia Georgopoulou, Nektarios Georgios Konstantinidis
    145-152
    DOI: https://doi.org/10.1515/mstap-2016-0022