Book Reviews

Shao Huiting; Wang Aisu; Jiayuan Zuo

doi:10.18778/2083-8530.27.12

Authors

Shao Huiting School of International Studies, Zhejiang University, China
Wang Aisu School of Foreign Languages, Zhejiang University of Finance & Economics
Jiayuan Zuo School of International Studies, Zhejiang University, China

DOI:

https://doi.org/10.18778/2083-8530.27.12

Crossmark check for up

Downloads

Download data is not yet available.

Author Biographies

Shao Huiting, School of International Studies, Zhejiang University, China

is a Ph.D. student in the School of International Studies, Zhejiang University, China. She has been awarded a CSC Scholarship to study in the School of Critical Studies, University of Glasgow for one year (2023-2024). Her research focuses on medieval Scottish literature and early modern English literature.

Wang Aisu, School of Foreign Languages, Zhejiang University of Finance & Economics

is a lecturer in the School of Foreign Studies, Zhejiang University of Finance & Economics, Hangzhou, China. Her research interests cover D. H. Lawrence studies in China and modern British and American literary studies in China. Her recent publications include the Chinese monograph Dilemmas, Resistance and Return: A Study of Body in D. H. Lawrence’s Novels (Zhejiang University Press, 2022).

Jiayuan Zuo, School of International Studies, Zhejiang University, China

is a Ph.D. student in the School of International Studies, Zhejiang University, China. His research focuses on translation and early modern English literature. He has published a Chinese paper in the 海峡人文学刊 Journal of Humanities Across the Straits (2021).

References

Ali, Alisha, and Stephan Wolfert. “Theatre as a Treatment for Posttraumatic Stress in Military Veterans: Exploring the Psychotherapeutic Potential of Mimetic Induction.” The Arts in Psychotherapy 50 (2016): 58-65.
Google Scholar

Baker, William, and Tianhu Hao. “Shakespeare in China: The Case of Zhu Shenghao.” ANQ: A. Quarterly Journal of Short Articles, Notes, and Reviews 34.1 (2021): 26-30.
Google Scholar

Hao, Tianhu. “Shakespeare’s and Milton’s Impact on Chinese Literature and Culture: A Preliminary Comparison.” Milton Studies 65.1 (2023): 153-180.
Google Scholar

Im, Yeeyon. “The Location of Shakespeare in Korea: Lee Yountaek’s Hamlet and the Mirage of Interculturality.” Theatre Journal 60.2 (2008): 257-276.
Google Scholar

Shao, Huiting, and Junhui Duan. “The Poetics of Love in Romeo and Juliet and The Peony Pavilion” 《罗密欧与朱丽叶》和《牡丹亭》的诗性美学对比研究. Foreign Language and Literature (bimonthly) 《外国语文(双月刊)》36.2 (2020): 71-78.
Google Scholar

Van Nhan Luong’s academic page: https://aston.academia.edu/VanNhanLuong/. Accessed 14 March 2023.
Google Scholar

Barker, Chris. Cultural Studies: Theory and Practice. London: Sage, 2013.
Google Scholar

Bell, Ilona. “Rethinking Shakespeare’s Dark Lady.” In A Companion to Shakespeare’s Sonnets. Ed. Michael Schoenfeldt. Malden: Blackwell, 2007. 293-313.
Google Scholar

Chiu, Chin-jung. “In Search of Shakespeare via His Sonnets—A Pedagogical Travelogue.” In Medieval and Renaissance Studies 6. Ed. Hao Tianhu. Hangzhou: Zhejiang University Press, 2022. 125-137.
Google Scholar

Harris, Frank. Shakespeare and His Love. London: Frank Palmer, Red Lion Court, E.C., 1910.
Google Scholar

King, Margaret L. Women of the Renaissance. Chicago: The University of Chicago Press, 1991.
Google Scholar

Matz, Robert. The World of Shakespeare’s Sonnets: An Introduction. Jefferson: McFarland & Co., 2008.
Google Scholar

Schoenfeldt, Michael, ed. A Companion to Shakespeare’s Sonnets. Malden: Blackwell, 2007.
Google Scholar

Shaw, Bernard. Misalliance, The Dark Lady of the Sonnets, and Fanny’s First Play, with a Treatise on Parents and Children. London: Constable & Company Ltd., 1914.
Google Scholar

Wang, Gaidi. A Study of Shakespeare’s Sonnets. Beijing: Beijing Foreign Language Teaching and Research Press, 2010.
Google Scholar

Wang, Gaidi. A Study of Shakespeare’s Sonnets from the Ethical Perspective. Nanjing: Nanjing University Press, 2021.
Google Scholar

Wang, Gaidi. “The Displaced Cultural Space in The Portrait of Mr. W. H.” Foreign Language Learning Theory and Practice 3 (2012): 76-80, 85.
Google Scholar

Wang, Gaidi. Re-reading Literary Classics. Beijing: Science Press, 2022.
Google Scholar

Wilde, Oscar. “The Portrait of Mr. W.H.” In The Riddle of Shakespeare’s Sonnets. Ed. Vincent Torre. New York: Basic Book, Inc., 1962. 165-199.
Google Scholar

Ma, Li. “The Meeting of Chinese and Western Cultures in Theatre: An Interview on ‘Chinese Opera and Shakespeare’” 中西文化在戏剧舞台上的遇合: 关于“中国戏曲与莎士比亚”的对话. Theatre Arts 03 《戏剧艺术》(1986): 36-48.
Google Scholar

Pavis, Patrice. Theatre at the Crossroads of Culture. London: Routledge, 1992.
Google Scholar

Ren, Mingyao. “Shakespeare and Mei Lanfang Compared” 莎士比亚和梅兰芳. Medieval and Renaissance Studies 1 《中世纪与文艺复兴研究（一）》(2019): 203-218.
Google Scholar

The Shakespeare Society of China, ed. Shakespeare in China. Shanghai: Shanghai Literature and Art Publishing House, 1987.
Google Scholar

Zhu, Guangqian. The Psychology of Tragedy. Trans. Zhang Longxi. Beijing: Zhonghua Book Company, 2012.
Google Scholar