Shakespearean Doubling: Issues of Action, Theme and Stage Presence

Authors

DOI:

https://doi.org/10.18778/2353-6098.7.06

Keywords:

William Shakespeare, early modern stage, doubling, performance, Brett Gamboa

References

Armstrong, A. “‘What is become of Bushy? Where is Green?’ Metadramatic Reference to Doubling Actors in Richard II.” Inside Shakespeare. Essays on the Blackfriars Stage. Ed. P. Menzer. Selinsgrove: Susquehanna University Press, 2006, pp. 149–155.

Berry, R. Shakespeare in Performance. Castings and Metamorphoses. Houndmills: Macmillan, 1993.

Booth, S., “Speculations on Doubling in Shakespeare’s Plays.” Shakespeare. The Theatrical Dimension. Eds., P.C. McGuire and D.A. Samuelson. New York 1979, pp. 103–131.

De Grazia, M., and Wells, S. The Cambridge Companion to Shakespeare. Cambridge: Cambridge University Press, 2001. DOI: https://doi.org/10.1017/CCOL0521650941

Gamboa, B. Shakespeare’s Double Plays. Dramatic Economy on the Early Modern Stage. Cambridge: Cambridge University Press, 2018. DOI: https://doi.org/10.1017/9781108277624

King, T.J., Casting Shakespeare’s Plays: London Actors and their Roles 1590–1642. Cambridge: Cambridge University Press, 1992.

Marowitz, C., ed. and trans. The Marowitz Shakespeare: Adaptions and Collages of Hamlet, Macbeth, The Taming of the Shrew, Measure for Measure and the Merchant of Venice. London: Marion Boyars, 2000.

Summers, E., “A Double Heuristic for Shakespeare’s Doubling.” Staging Shakespeare. Essays in Honor of Alan C. Dessen. Eds. L.C. Orlin and M. Johnson-Haddad. Newark: University of Delaware Press, 2007, pp. 60–78.

Wells, S. Royal Shakespeare. Manchester: Manchester University Press, 1977.

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Published

2023-01-12

Issue

Section

A/R/T in Practice

How to Cite

Cotterill, Rowland. 2023. “Shakespearean Doubling: Issues of Action, Theme and Stage Presence”. Analyses/Rereadings/Theories:/A/Journal/Devoted/to/Literature,/Film/and/Theatre 7 (1): 61-74. https://doi.org/10.18778/2353-6098.7.06.