Gazing at Eurydice: Authorship and Otherness in Bracha L. Ettinger
DOI:
https://doi.org/10.18778/2353-6098.6.02Keywords:
Bracha L. Ettinger, artist, otherness, Eurydice, Holocaust, matrixial theory, appropriation, ready-madeAbstract
A historical photograph of women and children from the Mizocz ghetto taken in 1942 just before their execution constitutes one of the most recurring motifs in Bracha L. Ettinger’s visual art. By means of her artworks, Ettinger endeavours to retrieve these women’s dignity and work through their traumas at a point when they are unable to do it themselves. Yet, one cannot ignore a number of questions that arise in the context of this kind of aesthetic practice; after all, Ettinger uses an archival photograph, taken by an anonymous photographer, and her acts of altering and decontextualising this “ready-made” material are aimed at producing a certain artistic effect. The objective of this article is to reflect on the issue of authorship in Bracha L. Ettinger’s theory and art. Having introduced two Eurydicial artworks, I proceed to unravel the status of a matrixial artist-author. In order to do so, I analyse such notions as ready-made art, matrixial Otherness, trauma of the World, gaze, and appropriation.
References
Adorno, Theodor W. 1983. “Cultural Criticism and Society.” In: Theodor W. Adorno. Prisms. Trans. Samuel and Shierry Weber. Cambridge, MA: The MIT Press, 17–34.
Adorno, Theodor W. 2004. “Meditations on Metaphysics.” In: Theodor W. Adorno. Negative Dialectics. Trans. E.B. Ashton. London and New York: Routledge, 361–408.
Derrida, Jacques. 2006. Specters of Marx: The State of the Debt, the Work of Mourning and the New International. Trans. Peggy Kamuf. New York and London: Routledge.
Ettinger, Bracha L. 2006a. “The Matrixial Gaze.” In: Bracha L. Ettinger. The Matrixial Borderspace. Ed. Brian Massumi. Minneapolis and London: University of Minnesota Press, 41–90.
Ettinger, Bracha L. 2006b. “The With-In-Visible Screen.” In: Bracha L. Ettinger. The Matrixial Borderspace. Ed. Brian Massumi. Minneapolis and London: University of Minnesota Press, 93–120.
Ettinger, Bracha L. 2006c. “Transcryptum: Memory Tracing in/for/with the Other.” In: Bracha L. Ettinger. The Matrixial Borderspace. Ed. Brian Massumi. Minneapolis and London: University of Minnesota Press, 163–70.
Ettinger, Bracha L. 2006d. “Weaving a Woman Artist with-in the Matrixial Encounter-Event.” In: Bracha L. Ettinger. The Matrixial Borderspace. Ed. Brian Massumi. Minneapolis and London: University of Minnesota Press, 173–98.
Ettinger, Bracha L. 2006e. “Wit(h)nessing Trauma and the Matrixial Gaze.” In: Bracha L. Ettinger. The Matrixial Borderspace. Ed. Brian Massumi. Minneapolis and London: University of Minnesota Press, 123–55.
Ettinger, Bracha L. 2009. “Fragilization and Resistance.” Studies in the Maternal, 1(2): 1–31. http://www.mamsie.bbk.ac.uk/back_issues/issue_two/documents/Bracha1.pdf DOA: 16.04.2013. https://doi.org/10.16995/sim.141 DOI: https://doi.org/10.16995/sim.141
Freud, Sigmund. 1983. “Creative Writers and Daydreaming.” In: Edith Kurzweil & William Phillips (eds). Literature and Psychoanalysis. New York: Columbia University Press, 24–28. https://doi.org/10.7312/kurz91842-003 DOI: https://doi.org/10.7312/kurz91842-003
Hirsch, Marianne. 2012. The Generation of Postmemory: Writing and Visual Culture after the Holocaust. New York: Columbia University Press.
Huhn, Rosi. 2012. “The Folly of Reason.” In: Catherine de Zegher & Griselda Pollock (eds). Art as Compassion: Bracha L. Ettinger. Brussels: ASA Publishers, 43–55.
Kisiel, Anna. 2016. “Uraz – bliskość – nie-pamięć. Psychoanalityczny dyskurs traumy od Freuda do Ettinger.” Narracje o Zagładzie, 2: 115–32
Kisiel, Anna. 2018. “Touching Trauma: On the Artistic Gesture of Bracha L. Ettinger.” Narracje o Zagładzie, 4: 138–62. https://doi.org/10.31261/noz.7899 DOI: https://doi.org/10.31261/noz.7899
Kisiel, Anna. 2019. “Aesth/ethical Bodies: Bracha Ettinger’s Eurydices and the Encounter with the Other’s History.” In: Justyna Jajszczok & Aleksandra Musiał (eds). The Body in History, Culture, and the Arts. New York and London: Routledge, 149–60. https://doi.org/10.4324/9780429264399-11 DOI: https://doi.org/10.4324/9780429264399-11
Kisiel, Anna. 2020. “Przełamując spojrzenie Orfeusza. Praca (anty)archiwalna Brachy L. Ettinger.” ER(R)GO. Teoria – Literatura – Kultura, 41: 97–110. https://doi.org/10.31261/errgo.8044 DOI: https://doi.org/10.31261/errgo.8044
LaCapra, Dominick. 2001. Writing History, Writing Trauma. Baltimore and London: The Johns Hopkins University Press.
Massumi, Brian. 2006. “Afterword. Painting: The Voice of the Grain.” In: Bracha L. Ettinger. The Matrixial Borderspace. Ed. Brian Massumi. Minneapolis and London: University of Minnesota Press, 201–13.
Parfeniuk, Natalia and Ewelina Suszek. 2018. “Mizocz – palimpsest,” Narracje o Zagładzie, 4: 400–408. https://doi.org/10.31261/noz.7914 DOI: https://doi.org/10.31261/noz.7914
Pollock, Griselda. 2000. “Nichsapha: Yearning/Languishing. The Immaterial Tuché of Colour in Painting after Painting after History.” In: Bracha Lichtenberg Ettinger: Artworking 1985–1999. Ghent and Amsterdam: Ludion, 45–70.
Pollock, Griselda. 2006. “Introduction. Femininity: Aporia or Sexual Difference?” In: Bracha L. Ettinger. The Matrixial Borderspace. Ed. Brian Massumi. Minneapolis and London: University of Minnesota Press, 1–38.
Pollock, Griselda. 2009. “Mother Trouble: The Maternal-Feminine in Phallic and Feminist Theory in Relation to Bracha Ettinger’s Elaboration of Matrixial Ethics/Aesthetics.” Studies in the Maternal, 1(1): 1–31. http://www.mamsie.bbk.ac.uk/back_issues/issue_one/GriseldaPollock.pdf DOA: 29.11.2013.
Pollock, Griselda. 2010. “Aesthetic Wit(h)nessing in the Era of Trauma.” EurAmerica, 40(4): 829–86.
Pollock, Griselda. 2013. “Trauma, Time and Painting: Bracha Ettinger and the Matrixial Aesthetic.” In: Bettina Papenburg & Marta Zarzycka (eds). Carnal Aesthetics: Transgressive Imagery and Feminist Politics. London and New York: I. B. Tauris, 21–41.
Sontag, Susan. 2004. Regarding the Pain of Others. New York: Picador. https://doi.org/10.3917/dio.201.0127 DOI: https://doi.org/10.3917/dio.201.0127
Zegher, Catherine de and Griselda Pollock (eds). 2012. Art as Compassion: Bracha L. Ettinger. Brussels: ASA Publishers.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
