Theatre Reviews

Marinela Golemi; Xenia Georgopoulou

doi:10.18778/2083-8530.25.12

Authors

Marinela Golemi Northern Arizona University
Xenia Georgopoulou National and Kapodistrian University of Athens, Greece

DOI:

https://doi.org/10.18778/2083-8530.25.12

Crossmark check for up

Downloads

Download data is not yet available.

Author Biographies

Marinela Golemi, Northern Arizona University

Marinela Golemi is Assistant Teaching Professor of English at Northern Arizona University, where she teaches undergraduate and graduate courses focused on Shakespeare and English Literature. She specializes in Early Modern English drama and literature, with particular investments in local and global Shakespeare, translation, performance, and adaptation. Other research interests include race, gender, and environmental studies. Her publications appear in Multicultural Shakespeare and Philosophy and Literature. Her forthcoming work focuses on Shakespearean adaptations in Albania.

Xenia Georgopoulou, National and Kapodistrian University of Athens, Greece

Xenia Georgopoulou is Assistant Professor at the Department of Theatre Studies of the National and Kapodistrian University of Athens, Greece. She teaches Shakespeare and European drama. Her publications include the books Issues of Gender in Shakespearean and Renaissance Drama (Ζητήματα φύλου στο θέατρο του Σαίξπηρ και της Αναγέννησης, Athens: Papazissis, 2010; revised edn 2020), The Body as Text in Shakespeare’s Plays. The Fashioning of the Sexes (Lewiston: Mellen, 2011), Shakespeare Horizontally and Vertically (Ο Σαίξπηρ οριζοντίως και καθέτως, Athens: Aigokeros, 2019). Her work deals with Shakespearean and Renaissance drama, and her particular interests include issues of gender and otherness, as well as Shakespearean adaptations and references in modern popular culture.

References

Durham, Mary Edith. High Albania. Enhanced Media Publishing, 2017.
Google Scholar

Dzino, Danijel. “Constructing Illyrians: Prehistoric Inhabitants of the Balkan Peninsula in Early Modern and Modern Perceptions.” Balkanistica 27 (2014): 1-39.
Google Scholar

Fermor, David. “In Byron’s Footsteps, through Byron’s Eyes: Literary Tourism and ‘Imagined Geographies’ of Southern Albania.” Journal of Balkan and Near Eastern Studies (2021): 1-23.
Google Scholar

Johns, Myke. “Atlanta Director Stages ‘Twelfth Night’ In Albania.” 2 January 2018.
Google Scholar

WABE https://www.wabe.org/atlanta-director-stages-twelfth-night-albania/ Accessed 18 September 2022.
Google Scholar

Kostihová, Marcela. “Post-communist Nights: Shakespeare, Essential Masculinity, and Western Citizenship.” Twelfth Night: New Critical Essays. Ed. James Schiffer. London and New York: Routledge, 2011. 132-148.
Google Scholar

Sedgwick, Eve Kosovsky. Between Men. English Literature and Male Homosocial Desire. 1985. New York: Columbia University Press, 2015.
Google Scholar

Shakespeare, William. Twelfth Night, or What You Will. Ed. Keir Elam. London: The Arden Shakespeare, 2008.
Google Scholar

Tan, Marcus Cheng Chye. “‘Here I Am... Yet Cannot Hold This Visible Shape’: The Music of Gender in Shakespeare’s Twelfth Night.” Comitatus 32 (2001): 99-125.
Google Scholar

Xhoxhi, Ledio. “Shekspiri, Njohës I Mirë I Historisë Shqiptare.” WordPress. 2017 https://xhoxhi.files.wordpress.com/2018/06/shekspiri-njohc3abs-i-mirc3ab-ihistorisc3ab-shqiptare.pdf Accessed 2 October 2022.
Google Scholar

Arkoumanea, Louiza [Αρκουμανέα, Λουίζα]. «Τρωίλος και Χρυσηίδα: Σαίξπηρ με ανανεωτικό σκηνοθετικό βλέμμα» [“Troilus and Cressida: Shakespeare in a refreshing directing view”]. 26 March 2022. Lifo https://www.lifo.gr/culture/theatro/troilos-kai-hrysiida-saixpir-me-ananeotiko-skinothetiko-blemma/ Accessed 15 September 2022.
Google Scholar

Bouras, Konstantinos [Μπούρας, Κωνσταντίνος]. «Τρωίλος και Χρυσηίδα του Σαίξπηρ [;;;;] στο Εθνικό. Ή όσα δεν φτάνει η αλεπού… πηδάει και τα εκχυδαΐζει» [“Troilus and Cressida by Shakespeare [????] at the National. Or, what the fox cannot get, it leaps and vulgarizes it 5 ”]. 30 March 2022. Fractalart https://www.fractalart.gr/troilos-kai-chrysiida-toy-saixpir/ Accessed 16 September 2022.
Google Scholar

Charami, Stella [Χαραμή, Στέλλα]. «Συν & Πλην: “Τρωίλος και Χρυσηίδα” στο Εθνικό Θέατρο» [“Pros and Cons: ‘Troilus and Cressida’ at the National Theatre”]. 22 March 2022. Monopoli https://www.monopoli.gr/2022/03/22/reviews/kritikh-theatroy/566733/syn-plin-troilos-kai-xrysiida-sto-ethniko-theatro/ Accessed 16 September 2022.
Google Scholar

Cohen, Alexandros [Κοέν, Αλέξανδρος]. Director’s note [untitled]. Τρωίλος και Χρυσηίδα [Troilus and Cressida]. Του Γουίλλιαμ Σαίξπηρ [By William Shakespeare]. Programme. Αθήνα [Athens]: Θέατρο Αργώ [Argo Theatre], 2021. 6-7.
Google Scholar

Georgopoulou, Xenia. “Food and Identity in Shakespeare’s Plays.” Signs of Identity. Literary Constructs and Discursive Practices. Ed. Emilia Parpală. Newcastle upon Tyne: Cambridge Scholars, 2017. 66-80.
Google Scholar

Georgopoulou, Xenia [Γεωργοπούλου, Ξένια]. Ο Σαίξπηρ οριζοντίως και καθέτως [Shakespeare Horizontally and Vertically]. Αθήνα [Athens]: Αιγόκερως [Aigokeros], 2019.
Google Scholar

Kranioti, Spyridonia [Κρανιώτη, Σπυριδωνία]. «Ραφίκα Σαουίς: “Δεν με ενδιαφέρει να κάνω οτιδήποτε απλώς για να υπάρχω στον χώρο”» [“Rafika Chawishe: ‘I’m not interested in doing anything just to exist in the field’”]. 29 December 2021. Zougla https://www.zougla.gr/politismos/8eatro-politismos/article/rafika-saois/ Accessed 19 September 2022.
Google Scholar

Kyrgia, Eri [Κύργια, Έρι]. «Κάντε πόλεμο, όχι έρωτα» [“Make war, not love”]. Τρωίλος και Χρυσηίδα [Troilus and Cressida]. Του Ουίλιαμ Σαίξπηρ [By William Shakespeare]. Programme. Αθήνα [Athens]: Εθνικό Θέατρο [National Theatre], 2022. 19-22.
Google Scholar

Marinou, Dionysia [Μαρίνου, Διονυσία]. «Το πρωτόγονο στοιχείο του ανθρώπου δεν εξελίσσεται» [“The primitive element in humans does not evolve”]. 16 March 2022. Ot https://www.ot.gr/2022/03/16/plus/to-protogono-stoixeio-tou-anthropouden-ekselissetai/ Accessed 16 September 2022.
Google Scholar

Panourgia, Maria [Πανουργιά, Μαρία]. «Σχεδόν άνθρωποι» [“Almost humans”].
Google Scholar

Τρωίλος και Χρυσηίδα [Troilus and Cressida]. Του Ουίλιαμ Σαίξπηρ [By William Shakespeare]. Αθήνα [Athens]: Εθνικό Θέατρο [National Theatre], 2022. 7.
Google Scholar

Theodorakou, Marilena [Θεοδωράκου, Μαριλένα]. «Αλέξανδρος Κοέν: Σκηνοθετεί τρεις καινούργιες παραστάσεις» [“Alexandros Cohen: He directs three new productions”]. 8 September 2020. Youfly https://youfly.com/theatro/alexandroskoen-skinothetei-treis-kainourgies-parastaseis/ Accessed 19 September 2022.
Google Scholar

Xanthos, Thanos [Ξάνθος, Θάνος]. «Αλέξανδρος Κοέν: “Ο πολιτισμός αυτή τη στιγμή βρίσκεται στο περιθώριο”» [“Alexandros Cohen: ‘Culture at this moment is marginalized’”]. 12 January 2022. Tetragwno https://tetragwno.gr/life/themata/prosopa/alexandros-koen-o-politismos-ayti-ti-stigmi-vrisketai-sto-perithorio/ Accessed 19 September 2022.
Google Scholar

Xenios, Nikos [Ξένιος, Νίκος]. «Εθνικό θέατρο: Μια παράσταση βασισμένη στο Τρωίλος και Χρυσηίδα του Σαίξπηρ (κριτική)» [“National Theatre: A production based on Shakespeare’s Troilus and Cressida (Review)”]. 26 March 2022. Bookpress https://bookpress.gr/politismos/theatro-xoros/15288-troiloskai-chrisiida-ethniko-theatro/ Accessed 16 September 2022.
Google Scholar

Zois, Nikolas [Ζώης, Νικόλας]. «Τρωίλος και Χρυσηίδα: Αισιοδοξία είναι ότι κάνουμε αυτά που κάνουμε» [“Troilus and Cressida: Optimism is that we do what we do”]. 25 March 2022. Kathimerini https://www.kathimerini.gr/culture/561776671/troilos-kai-chrysiida-aisiodoxia-einai-oti-kanoyme-ayta-poy-kanoyme/ Accessed 16 September 2022.
Google Scholar