Generic Specificity of Nikolai Kolyada’s Play "Baba Chanel" (2010)
DOI:
https://doi.org/10.18778/1427-9681.13.21Keywords:
„Baba Chanel”, Nikolai Kolyada, new “new” drama, contemporary dramaturgy, genreAbstract
The article is dedicated to the study of distinct features of Nikolai Kolyada’s play Baba Chanel [The Hag Chanel], with the view to defining the piece’s genre. The author, referencing work of other scholars, pays attention to the types of characters, the topic, the language and the presence of the author in the play. Moreover, the conflict between the characters and the world is described. A substantial part of the article is devoted to showing the features which are characteristic of reportage, in line with Iakov Zharski’s research. The article ends with a summary of the study and with the presentation of Baba Chanel’s generic specificity: this takes into account the features discussed and the authorial definition.
References
Denisova, Tatiana N. Poetika teatra Nikolaya Kolady. Arkhangelsk: Federalnoe gosudarstvennoe avtonomnoeobrazovatelnoe uchrezhdeniye vysshego obrazovaniya „Severnyi (Arkticheskyi) federalnyi universitet im. M. V. Lomonosova, 2013: 73. https://cyberleninka.ru/article/n/poetika-teatra-nikolaya-kolyady
Dubrovina, Irina V. Chernukha i sentimentalnost: realizatsiya strategii paradoksa. Krasnodar: Obshestvo s ogranichennoi otvetstvennostiu „Nauka i obrazovaniye”, 2014. https://cyberleninka.ru/article/n/chernuha-i-sentimentalnost-realizatsiya-strategii-paradoksa-v-dramaturgii-n-kolyady
Kolada, Nikolai V. Baba Chanel. Loginovo, 2010. http://kolyada.ur.ru/chanel/
Kormilov, Sergei I. Komediya. In: Literaturnaya entsyklopediya terminov i ponatii, ed. A. Nikolyukin. Moskva NPK „Intelvak”, 2001: 370. http://http://biblio.imli.ru/images/abook/teoriya/Literaturnaya_entciklopediya_terminov_i_ponyatij._2001.pdf
Lazareva, Yelena U. „Mnogoplanovost dramaturgii N. Kolady”. Izvestiya Volgogradskogo gosudarstvennogo pedagogicheskogo universiteta. No. 2 (2010): 166. https://cyberleninka.ru/article/v/mnogoplanovost-dramaturgii-n-kolyady
Leiderman, Nikolai L. Dramaturgiya Nikolaya Kolady. Yekateryburg: OGUP „Pervouralskaya tipografiya”, 2002: 12.
Maroń, Anna. Formy wyrazheniya avtorskogo soznaniya v dramaturgii Nikolaya Kolady. Rzeszów, 2016: 47–56. http://repozytorium.ur.edu.pl/bitstream/handle/item/1481/Formy%20wyrażenia%20obecności%20autora%20w%20dramaturgii%20Nikolaja%20Kolady.pdf?sequence=1
Sizova, Mariya I. „Novaya drama”: Istoriya i geografiya. In: Novaya drama rubezha XX–XXI vekov: Predvaritelnyje itogi. Samara: Samarskyi universitet, 2015. http://sovdram.ru/wp-content/uploads/2016/01/новейшая-_драма_2015.pdf
Starova, Yelena A. Nikolai Kolada – solntse russkoi dramaturgii. In: Novaya drama rubezha XX–XXI vekov: predvaritelnyje itogi. Samara: Samarskyi universitet, 2016. http://repo.ssau.ru/handle/Uchebnye-posobiya/Noveishaya-drama-rubezha-XXXXI-vekov-predvaritelnye-itogi-Elektronnyi-resurs-kollektiv-monogr-63522
Zharskyi, Yan S. „Cherty reportazha w pyesakh N. Kolady”. Politematicheskyi setevoy elektronnyj nauchnyj zhurnal kubanskogo gosudarstvennogo universiteta. No. 98 (2014). https://cyberleninka.ru/article/v/cherty-reportazha-v-piesah-n-kolyady
Zhurcheva, Olga V. „Formy wyrazheniya avtorskogo soznaniya v noveshei russkoi drame”. Acta Universitatis Lodziensis. Folia Litteraria Rossica. No. 7 (2014): 277–285. DOI: https://doi.org/10.18778/1427-9681.07.29
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
How to Cite
