Hero-poet and his furnishings: “signes of tradition” in Russian lyric of 19th
DOI:
https://doi.org/10.18778/1427-9681.06.02Keywords:
plot, Russian lyric, study roomAbstract
The article presents a study of the typical lyrical plot, representing the hero-poet in his study room. Comparative analysis of Russian lyric poems of different genres (elegy and others) and authors (Batyushkov, Pushkin, Fet, Polonsky and others) reveals the certain traditions in evolution of this plot – in comparison with the similar tradition in novel (investigated earlier by N. Nyagolova). In the beginning of 20th century these traditions can be observed in Bunin’s poetry and two poems of I. Annensky and N. Gumilev.
References
Анненский И., Стихотворения и трагедии, Ленинград 1990, с. 176.
Батюшков К. Н., Сочинения: в 2 тт., Москва 1968, т. 1, с. 207–208.
Бунин И. А., Собрание сочинений в пяти томах, Москва 1958, т. 2, с. 292.
Грехнев В. А., Лирика Пушкина: О поэтике жанров, Горький 1985, с. 51.
Гумилев Н., Стихотворения и поэмы, Ленинград 1988, с. 211.
Пушкин А. С., Полное собрание сочинений: в 10 тт., Москва 1968, т. 1, с. 100.
Таборисская Е. М., «Бессонницы» в русской лирике (к проблеме тематического жанроида), [в:] Studia metrica et poetica. Сборник статей памяти Петра Александровича Руднева, Санкт-Петербург 1999, с. 224–235.
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