Creative reception of Anton Chekhov's works and personality in the newest russian drama (Gremina's Sakhalin wife and Llevanov's Chekhov trilogy)
DOI:
https://doi.org/10.18778/1427-9681.09.09Keywords:
creative reception, Chekhov, New Drama, Yelena Gremina, Vadim LevanovAbstract
The article discusses the creative dialogue into which the newest Russian drama and theatre works enter with Anton Chekhov’s dramaturgy and his personality. Yelena Gremina and Vadim Levanov move along different trajectories to interpret the writer and his characters. Still, those various methods of creative reception help both playwrights to understand Chekhov’s philosophy and rethink it in the context of contemporary life and contemporary art.
References
Abramovskih, Yelena V. Fenomen kreativnykh recepciy nezakonchennykh proizvedeniy. Chelyabinsk: Biblioteka A. Millera, 2006: 86.
Chekhov, Anton P. Ostrov Sakhalin. In: Sobranie sochineniy: v 18-ti tt.. Vol . 14–15. Moskva: Nauka, 1987: 150, 159.
Eco, Umberto. Rol’ chitatelya. Issledovanie po semiotike teksta, trans. by S. Serebryanyy. Sankt-Peterburg: Simpozium, 1998: 17.
Gadamer, Hans-Georg. O kruge ponimaniya. In: Aktual’nost’ prekrasnogo. Moskva: Iskusstvo, 1991: 78.
Gremina, Yelena. „Sakhalinskaya zhena”. Sovremennaya dramaturgiya, № 3 (1996): 30–50.
Levanov, Vadim. Firsyada. Slavyanskiy bazar. http://www.theatre-library.ru/authors/l/levanov
Lotman, Yuriy. Roman A. S. Pushkina „Yevgeniy Onegin”. In: Pushkin. Sankt-Peterburg: Iskusstvo: 125.
Zingerman, Boris. Teatr Chekhova i ego mirovoe znachenie. Moskva: Nauka, 1988: 5–62.
Downloads
Published
Issue
Section
How to Cite
